September 12, 2016
Deer stones in Muron, northern Mongolia.
February 8, 2010
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During the H1N1 Flu outbreak in Mongolia, all public gathering places were closed for several weeks to prevent further spread of the flu. In December, they began to slowly re-open museums, theaters, etc. In a fit of boredom, I walked around the city and discovered the Red Ger Gallery was open! The gallery is located on the first floor of the Zanabaazar Museum. I wandered in and discovered they were having an unannounced opening for the solo exhibition of the painter, Bavuu Erdenebayar.
What an interesting exhibition and conversation I had with him. His paintings were based on anecdotes from Mongolian culture and folklore; “folk wisdom”. His shapes are very fluid and organic and I immediately recognized the resemblance between his work and that of Miro. There is also a cartoon or Anime like quality to his work. And when he showed me a small children’s activity book he published, it didn’t surprise me in the least. I’ve noticed when attending exhibitions in Mongolia, artists often don’t include an artist statement. But Bavuu did, and even though we had a great conversation about art and his art, I appreciated his thoughtful statement.
Here it is:
“All life is connected to each other – humans, animals, nature. A new era is coming and everyone must be ready to accept this new era. In this era, you can realize your mistakes and change yourself to be a better person. Due to aggression, struggle, conflict of the past era, our nature and the world have suffered day after day. The Mongols understand bad things. Bad human character brings unhappiness and causes bad things. So we can live in peace and happiness if we respect our own traditions and follow customs and habits inherited from our ancestors. The next generation should accept and follow these carefully. Whether or not you want to follow them, there are certain rules you must follow. There is a natural law and everyone must follow the natural law. There are some laws created by humans but they can be changed or violated. So the law of life is included in folk proverbs, wise words and books. Ex. – ‘It’s better to see once than to hear it one thousand times.’ Humans always forget what they hear, but not what they’ve seen. So you should see this exhibition with your own eyes.”
October 11, 2009
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It’s been many years since I first came across the work of Nicholas Roerich. I can’t remember how I became acquainted with him… Perhaps while doing some research related to Tibet or Central Asia. But I remember, several years ago, visiting the townhouse on the upper west side of Manhattan that houses a museum dedicated to him. A fascinating Russian painter and philosopher who lived a great deal of his life in India and Asia. He wrote the “Pax Cultura”, an international treaty dedicated to the protection of cultural values and peace through higher culture. He was also nominated several times for the Nobel Peace Prize. However, about the time of the Russian Revolution and prior to living in Asia, he spent some time in the U.S., including a short time in my home town of Chicago – at the invitation of Chicago’s Art Institute. He would have celebrated his 135th birthday this past week on October 9th, same day as my grandfather’s. And so it was a bit synchronistic for me to find out this summer that he had also lived in Ulaanbaatar for a year.
A famous Mongolian historian, Professor Bira, had discovered the decaying, Russian-style wooden house that Roerich and his family lived in from 1926-27. Professor Bira and a group of supporters saved the house from demolition, restored it and dedicated it as a museum and art gallery this past July. An art competition and exhibition for young Mongolian artists was also held there recently. Rumor is that the founders and supporters hope to develop an art center in Roerich’s memory on the site. For more information about the Roerich museum in Ulaanbaatar, Mongolia, visit: http://www.roerichmongolia.org/.
October 10, 2009
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The first weekend of October in Ulaanbaatar, we experienced a unique cross-cultural performance – a synthesis of Japanese and Mongolian musical traditions. The Khoomei-Taiko ensemble, which grew out of a similar concert in New York City in 2007, blew us away with their deep resonating drums and haunting traditional throat singing. The ensemble is comprised of Japanese flutist – Kaoru Watanabe, koto player – Miki Maruta, taiko drummers – Tetsuro Naito and Shoji Kameda, Khongorzul Ganbaatar – Mongolia’s State honored long song singer, Mongolia’s masterful musician and performer – Tserendorj Tseyen, and Shinetsog Dorjinyam – Mongolia’s acclaimed horse-head fiddle musician and khoomei (throat) singer. The group hopes to engage audiences in the U.S. with this unique cross-cultural synthesis of ancient music traditions. For more information about the group and their upcoming tour, visit: www.khoomtai.blogspot.com.
August 21, 2009
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Has mercury gone retrograde already? A mile of the main street through the center of the city is suddenly under construction until October, an unannounced “repair” to water system, so no hot water for a week now, internet is slow or non-existent and there was a power outage last night. So unfortunately, blog updates have been slow coming. Have been visiting fellow artists, studios, galleries and museums to see what’s new this year.
My friend Bayarmunkh, a fellow ceramic artist who teaches sculpting and ceramics at a local high school, received a new kiln by generous donation from a colleague in France. It’s small, but it is the first brick, gas (tank) fired kiln in Mongolia. Can’t wait to see the results!
Next, I met my friend Dalkha who founded the Blue Sun Art studios and gallery. His group had a show at Xanadu gallery which was a joint exhibition from a summer exchange project with European artists. He also gave me a wonderful book that was a collaborative effort from the previous year: “Mongolia, Perception and Utopia”. Hope to have an interview with Dalkha posted here in the near future.
The National Art Gallery has published a catalogue of selected works which is a great accomplishment and much needed item for them, especially after last year’s fire. And the other museums have made updates and improvements to their displays and exhibits. And Valiant Art has five galleries posted throughout the city. A single handed effort by Mrs. Elizabeth Koppa, a foreign resident and wife of the Trade and Development CEO.
Those are just a few updates. I hope to have interviews and pictures posted here as time goes on.
August 7, 2009
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Heading back to Mongolia, I had a one day layover in Beijing and re-visited the 798 Gallery district. I had been there three years earlier, but since then, there have been many articles in the US on contemporary Chinese artists and I had recently seen an exhibit of contemporary Chinese art at the Chicago Cultural Center. Since I last visited, things seemed to have expanded and many spaces were closed. I don’t think they have been hit by the economic crisis as American artists and galleries have been, perhaps they were all gearing up for the first Beijing Art Biennale, August 15-September 12.
The 798 District is interesting in itself. Lots of old brick buildings and structures from a former industrial area, including a restored steam engine. The temps were in the upper 90’s that day with about 90% humidity, so I took it slow, stopping often at one of the many cafés for a cold drink. A new drink I discovered – iced coffee with green tea – interesting. There were a lot of larger than life sculptures, many seemingly not very Chinese. And apparently more foreigners are now entering the scene. (Perhaps I’d have more luck in Beijing?) A very peculiar installation by a couple of young Austrian guys who recently ventured into Afghanistan. They filled a couple of rooms with videos, diagrams, photos, artifacts, etc. from their travels. It was a bit overwhelming.
The area is also becoming quite commercial and there were a couple of souvenir type shops where you could buy t-shirts, books, buttons, bags, etc. with some of the more popular art images and logos. Wouldn’t it be interesting if Chicago’s Ravenswood Artwalk developed into a more permanent art district like 798 with galleries and businesses that actually supported and sold local art work? Hmm… Anyway, there is a lot to see at 798 and one could easily spend an entire day there. I did come across a shop that sold only ceramics, mostly pottery. But the young people working in the shop didn’t seem to know much about who and where the pieces were made. My only wish is that there were more artists around and available to have an exchange with.